Music.
Friday releases, chart moves country by country, plays, searches and tours.
Reading…
Power your idea with Panbiota → · Open the instrument · Intelligence, not advice.
What it answers.
- Are the songs in this set of song rights still gaining listens, or have they been fading since their peak?
- What share of the US and UK charts did each record company hold this week, and how has that moved since the quarter began?
- A single broke in South Korea: has it reached the UK and the US yet, and how many days did each step take?
- If the biggest songs in this set faded fast, what could the set's listens be over the next five years?
- Does a jump in look-ups really come before a chart entry?
- What has the US published on music royalty rates this month, and when is the next deadline for comments?
Who uses it.
Funds that buy song rights
What to bid for song rights? Song-by-song listens and look-ups: which rise, which fade, how fast each fell after its peak.
Stock-market analysts who cover record companies
Are new releases winning ground between results? Each record company's share of every country's chart, week by week.
Record label marketing teams
Where to push a single next? Which country it broke in first, how fast it climbs elsewhere, where it stalled.
Music publishers and royalty administrators
Which codes to fix first? A same-day flag when a track with a missing or clashing code starts to chart.
Concert promoters and booking agents
Which cities to play, and at what venue size? Chart positions by country and look-ups by language show where interest is building.
What we model, test and run.
Late revival
A song years past its peak climbing a chart again, look-ups jumping in several languages, listens up two weeks running. Spotted early, with how far such revivals have run before, and for how long.
Tour routing gap
Where an artist's audience is building, by chart and look-ups, against where concerts are booked. Does the gap beat travel, venue hire, visas, tax and lead time?
Look-ups before the chart
When look-ups triple in one language: how often a chart entry follows in a country speaking it, and how fast.
Catalogue stress run
Five years of your song rights, with an optional US rate change. Out: yearly listens and income, country shares and the riskiest songs.
Catalogue and campaign engine
Watches charts, listens, look-ups, releases, concerts and royalty notices. Marketing moved, code fixes raised, venue holds requested, deadlines diarised. Runs in your systems, on your rules.
What we build for you.
Chart ladder
Top 50 songs in each country, US and UK to Japan and Brazil, coloured by climb speed. Entry date, peak, days since peak, company share. Each recording counted once.
Song decay model
For song rights you own or eye: each song's weekly trend and half-life after its last peak. A twelve-month listens outlook; older songs climbing again flagged.
Crossing map
Each country lights up the day a song enters its chart, with days since first charting, and when each next country is likely to follow.
Friday release board
Every new single and album, counted by company and country each Friday, with missed dates marked. A seven-day gauge of listens against that Friday's rivals.
Look-up surge alert
Alerts when an artist's look-ups jump past your level, noting any release or tour. Per artist: what such a jump tends to mean for a chart entry.
Delivered to you.
Song rights reports
Per song: chart history by country, listening trend, half-life and look-ups by language. Stress run on request. Intelligence, not advice; the price is yours.
Morning music readings
Before work in London, New York or Tokyo: what is rising, fading, out and touring. An assistant in your chat answers on any song.
US royalty-rate watch
Same-day alert on each US music royalty-rate or copyright notice. Weekly digest of hearings and comment deadlines.
Code clean-up
Every track list checked against ISRC and ISWC codes: duplicates, gaps and wrong-song links marked. Alerts the day any starts to chart.
We build the intelligence.